🚩 New Media Artist Hsin-Chien Huang Leads "Garden Taipei/Formosa: Taiwan Grand Tour" with 22 Taiwan's VR and New Media Artworks to 2021 Ars Electronica Linz in Austria🇦🇹
2021 ARS ELECTRONICA FESTIVAL Ars Electronica has chosen “A New Digital Deal” as its annual theme, centering around the social and cultural transformations under the influence of technology from different countries. Also, it pays attention to changes of “the New Normal” due to the pandemic.
Hsin-Chien Huang, this year’s curator of the “Garden Taipei/Formosa”, resonates the theme with the “Taiwan Grand Tour”, hoping to waken our desire and ability to move freely during the journey via different kinds of media, also make more people see the marvelous results and how hard Taiwan has devoted to technology, culture, tradition, and tradition via international digital platforms. The tour will have become a window between the world and Taiwan.
The scale of this year’s exhibitions has been brought up a notch. Not only did it carry on displaying the VR and AR productions from last year, but the curator Hsin-Chien Huang has collaborated with three other, Hsiao-Yue Tsao, Billy Chang, and Chung-Hsien Chen, to call out many VR directors, new media artists, start-up companies and government institutions to join the project. There are 22 magnificent programs in total, which will be shown in categories such as “Immersive Tour”, “Animated Tour”, “New Media Tour”, “Earth Tour” and “Action Tour” respectively.
“Immersive Tour”, as the first part of the “Taiwan Grand Tour”, viewers can wander among the mountains, oceans, and rivers in the digital world, even outer space! Six scenes inspired by unique Taiwanese landscapes with cultural and biological features will be shared with the audiences, such as “The Starry Sand Beach” (Directed by Hsin-Chien Huang and Nina Barbier), “Moondream Reality-Rebirth”(Directed by Chi-Yen Chiang, Ami Wu), the shuttle VR 360 stereo video of “TAIPOWER D/S ONE.” (Directed by Ghung-I Hung and Shih-Chou Wen), “Floating Childhoods” (Directed by Hakka Public Communication Foundation and Wen-Chieh Chang), “Blue Tears EP1” (Directed by Hsiao-Yue Tsao), and “Samsara” (Directed by Hsin-Chien Huang).
In the “Animated Tour”, viewers can devote themselves to the characters via different programs. Whether it is the abstract or figurative visual style, audiences can experience anxiety and frustration all the way to happiness and growth. Getting rid of this disappointing reality, viewers shall continue the “Taiwan Grand Tour” through their imagination. This program consists of four animations: "Go Go Giwas: Sowing Dream Seeds"(Directed by Vick Wang, Yi-Feng Kao), "My grandmother is an Egg"(Directed by Wu-Ching Chang),"Inside"(Directed by Yu-Ting Hsueh), and "The Wayward Kite"(Directed by Yu-Ting Hsueh).
In the “New Media Tour” program, nine brilliant pieces created by Taiwanese artists will be shared as the relay points for the “Taiwan Grand Tour.” They use video, sound, electronic music, installation, and various new media to explore different topics, such as family, memory, city, society, landscape, and environment. We firmly believe that digital tools can also capture the warmth and emotions in reality. This program consists of nine artworks: "Surrounding Spectrum"(Directed by Hsiu-Ming Wu), "Nanyang Express II : Eternal Wandering and Tropical Pursuing"(Directed by Yi-Chi Lin), "Wave Waves"(Directed by Sio-Pang Hong), "That ・ This"(Directed by Ching-Chuan Hu), "Signal"(Directed by Chin-Hsiang Hu), "Tower of Babel by the sea"(Directed by Wei-Chung Feng), "How to explain love to an iPhone"(Directed by Jie-Huai Yang), "U+617E_v2.∞"(Directed by Jia-Hua Zhan), and "Absence in Presence"(Directed by Ning Tsai).
In the program “Earth Tour”, viewers will participate in a performance art called “Taste Soil”, which intends to rethink the relationship between humans and land by means of “eating.” The program brings together international eminent chefs Andre Chiang, dancer Billy Chang, new media artist Hsin-Chien Huang and Wen-Chieh Chang, fusing Taiwan’s unique traditions and customs with cuisines and dance performances via VR experience. A feast to the eyes and tastebuds awaits.
Looking back at the present time, humans need to take more efficient scientific actions in the digital world to reduce the consumption and pressure of resources and the environment and cope with the impact in the post-pandemic times. Two important technology units in Taiwan make their debut in the “Action Tour”: Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center. The former is devoted to the sustainable development of materials science with digital technology and design, while the latter is the integration of big data and streaming technology to create a new technical model of urban governance. Combing these two, an answer to developing a sustainable society with digital energy is born. During the tour, a new performance art project is inspired by the digital cross-field cooperation for the first time. The Taipei Urban Intelligence Center will join hands with new media artist Chin-Hsiang Hu and the founder of Inwheel Ghung-I Hung, to create a new media artwork “The Weight of Data” by integrating both virtual and physical materials from different domains and sharing data resources.
The brilliant curatorial concept and lineup of the Taiwan Grand Tour have attracted the interest of the officials of the festival and been in the limelight. Therefore, the festival has invited three creators behind the “Earth Tour”: Andre Chiang, Billy Chang, and Hsin-Chien Huang, to an online interview called “Highlight Channel” at 18:00 on September 1 (Taiwan Time). The link will be provided by the official later on. Moreover, Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center are also invited to share their ideas and experiences in an online show called “Home Delivery.”
The theme of the Garden Taipei/ Formosa is presented in a diverse form of performances by combining different fields multiply. The audience can easily follow the step of the “Taiwan Grand Tour” to explore Taiwan’s magnificent local digital creativity and illustrate a new digital landscape unitedly that only belongs to Taiwan. The 2021 Ars Electronica online exhibition will be held from September 8 to 12, 2021. Click the link below to take a sneak peek of this year’s shows.
📍ARS ELECTRONICA FESTIVAL 🔗 https://ars.electronica.art/newdigitaldeal/de/formosa-grand-tour/
📍ARS ELECTRONICA FESTIVAL “Home Delivery” 🔗 https://www.youtube.com/c/arselectronica/playlists?view=50&sort=dd&shelf_id=5
📍 Garden Taipei/Formosa: Taiwan Grand Tour 🔗 http://garden2021.metarealitylab.com/
#奧地利林茲電子藝術節
#arselectronica21 #gardentaipeiformosa
同時也有1部Youtube影片,追蹤數超過3萬的網紅National Palace Museum國立故宮博物院,也在其Youtube影片中提到,展期: 2020/8/21-2020/11/8 地點: 新竹241藝術空間 Date: August 21~November 8, 2020 Venue: Hsinchu 241 Art Space 本展以古今對照詮釋動物在形態、歷史、生態的流轉,並連結到當代生活,從藝術x科技x自然的連結打開認...
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- 關於how to design exhibition space 在 黃心健 Hsin-Chien Huang Facebook 的最佳貼文
- 關於how to design exhibition space 在 StoryTeller 說故事 Facebook 的最讚貼文
- 關於how to design exhibition space 在 The Shape of a Narrative Facebook 的最讚貼文
- 關於how to design exhibition space 在 National Palace Museum國立故宮博物院 Youtube 的最讚貼文
- 關於how to design exhibition space 在 240 Exhibition Spaces ideas in 2023 - Pinterest 的評價
how to design exhibition space 在 StoryTeller 說故事 Facebook 的最讚貼文
#倒數5天 #StoryTeller年度展覽 : 【The Heart Seekers】
下星期二(12月1日)我們的年度展覽就開始了!這幾天將會陸續預告更多展覽內容 :) 這夜,首先讓大家看看這次主場館的展覽場地 PHVLO HATCH還有其中3位參展藝術家和他們過往的一些作品。
位於深水涉由Johanna Ho創立的PHVLO HATCH致力於促進可持續性發展,連結社區對時裝,電影和音樂感興趣的人, 以至藝術和設計,更結合咖啡室空間讓大家在鬧市中喘息。這次跟我們合作於二樓佑大的展覽空間舉辦我們的年度展覽和StoryTeller首個Pop-up Store,希望大家能在這裡透過故事和藝術陪你一起尋找心的出口。
Follow the event NOW 👉🏻 https://bit.ly/365q5a8
#部分參展藝術家介紹:
Zoie Lam 林雅儀 Zlism
現職插畫師,同時也是時裝設計師和造型師,及品牌 ZL by ZLISM 的主理⼈。於2010年開始創作ZLISM,ZLISM是⼀個外星球,內裡住了很多不同的“ZLISM”星⼈,每個ZLISM星⼈也有著不同的個性,每⼀幅作品也有著背後的故事,⽽故事由 ZLISM 星球⼈表代為表達,創作範圍為塑膠彩油畫,⼤型牆壁,多媒體合成畫作等等。
Jan Curious 阿水 Jan Curious
一位獨立插畫師,同時為樂隊觸執毛 Chochukmo 、R.O.O.T 主音,現時更與 Bass 手阿輝組成電子音樂組合 Jan Curious & tombeats.。Jan 的作品風格和素材多變,今次特別展出的Nothing Strangers 是他近期表達內心黑暗面的作品。
Mateusz Kolek Mateusz Kolek
來自波蘭的插畫家以夢幻玩味的畫作著稱,最新展覽的作品受到香港啟發而創作, Mateusz 不帶手機外出,在城裏的橫街窄巷閒逛,透過超現實的插畫呈現他的亞洲之旅、蘇聯科幻電影、流行文化、斯拉夫神話等。
#關於展覽
StoryTeller年度最大型展覽及首個期間限定店「The Heart Seeker 」將於 12 月 1 日至 12 月 15 日於 Phvlo Hatch (深水埗黃竹街13號)舉行。「The Heart Seekers 」連結超過 30 位來自世界各地的創作人,集合主題展覽、Storyteller經典故事展出、藝術體驗、期間限定店、講座及工作坊等精彩內容。在這個瘋狂的世界,我們都需要一點喘息的地方 —— 可能是一個實體空間,可能是一個想法,更可能 ⋯⋯ 你只需要一個短短的故事。
〖The Heart Seeker〗
展期 Date:Dec 1- 15 2020
地點 Venue: 2/F PHVLO HATCH(深水埗黃竹街13號|13 Wong Chuk Street, Sham Shui Po)
開放時間 Time: 10:30 – 19:00(Mon - Sun)
開幕晚會:Dec 5 6pm
#活動內容
- The Heart Seeker : Recipe of a happy heart 主題展覽
- StoryTeller 首個 Pop-up Store
- StoryTeller 經典故事展出
- 說故事講座 (登記詳情將陸續公佈)
- 創作工作坊 (登記詳情將陸續公佈)
#主題展覽參展藝術家 :Mateusz Kolek 、MerryLambLamb、
Zoie Lam 、JanCurious、Seven Tsang、Mabel Lau 、Angela Ho 、Stephanie Teng 、John Ho 、Kazy Chan 、Joel Kwong、Siuloy 、Thomas Napoleon、Lamb Yu 、KanKit Man、How & How
設計單位: William Tsao @Third Paragraph
#TheHeartSeekers
Our annual exhibition will begin next Tuesday (December 1st)! More exhibition content will be announced in the next few days :) This night, let everyone take a look at the exhibition venue, as well as 3 participating artists and some of their past works.
PHVLO HATCH, located in Sham Shui Wa by Johanna Ho, is committed to promoting sustainable development, connecting people in the community who are interested in fashion, film and music, as well as art and design, and combining the cafe space to let everyone relax in the busy city. This time, they are cooperating with us to hold our annual exhibition and StoryTeller’s first Pop-up Store in the exhibition space on the second floor. We hope that everyone can find a way to your hear through stories and art here.
#FeaturedArtist:
Zoie Lam
An artist based in Hong Kong. As the creator of the imaginary planet Zlism, she details a world with all its residents and happenings. Positive energy oozes out from the kind-hearted characters as they come alive under her pen, all with fascinating stories unfolding in one painting after another. Choosing acrylic paint and wool yarn, and occasionally oil-based marker and technical drawing pen for black-and-white effect, Lam always fills her stylistic paintings in brilliant hues and and flourescent colours. Another favourite art form of her’s is mural painting, which includes walls of shops and impromptu painting alongside real-time animation and performance.
Jan Curious
An independent illustrator, vocal of Chochukmo and R.O.OT, he forms an eletronic music band,
Mateusz Kolek
Illustrator from Poland, is famous for his dreamy playful style. His latest exhibition was inspired by the city view of Hong Kong. Mateusz loves to experience his solo journeys without a smartphone. He enjoys capturing moments that could trigger his imagination and exploring the city as much as he can, so that he can bring home the interesting stories he collects throughout the trip.
how to design exhibition space 在 The Shape of a Narrative Facebook 的最讚貼文
電影大師在博物館:#庫柏力克 電影作品展
自2004年德國法蘭克福首展以來,「庫柏力克電影展覽」(Stanley Kubrick: The Exhibition)即在世界各地巡迴展出,今年庫柏力克逝世二十年之際,此展回到英國—他生活與工作超過四十年的家。 由 #倫敦設計博物館(The Design Museum) 主辦,展覽囊括超過700件展品,包含電影中使用的道具、戲服、佈景模型、藝術設計、音樂、劇本與電影製作文獻,從其早期作品、爭議作品《#發條橘子》(A Clockwork Orange)、《#一樹梨花壓海棠》(Lolita)、《#奇愛博士》(Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb)爬梳到影史經典的《#2001太空漫遊》(2001: A Space Odyssey)、《#亂世兒女》(Barry Lyndon)、《#鬼店》(The Shining)等,帶領觀者進入這位電影大師的創作世界。
展覽始於他從何開始「尋找故事」講起。庫柏力克大多數的作品來自文學,但多為本身在文學界沒有重要貢獻的作品。對他來說,尋得一個故事通常基於一個「緣分」,可能是突然想到以前看過的一本書,或在哪個契機之下刺激他的一篇故事,如他所言:「我為什麼不喜歡自己寫原創故事,是因為我陶醉於那個初次閱讀某樣東西的旅程。你沒有辦法再去體驗一次,就像愛上一個人的反應一般,只有那一次。」
全文見 #文化部 專欄「博物之島」,文章同步刊登於 #博物館學會 專頁。
how to design exhibition space 在 National Palace Museum國立故宮博物院 Youtube 的最讚貼文
展期: 2020/8/21-2020/11/8
地點: 新竹241藝術空間
Date: August 21~November 8, 2020
Venue: Hsinchu 241 Art Space
本展以古今對照詮釋動物在形態、歷史、生態的流轉,並連結到當代生活,從藝術x科技x自然的連結打開認識「藝獸」的新視野。
This exhibition juxtaposes the ancient and modern to explore the changes in the form, history, and ecology of animals, and proceeds to link these to contemporary life using art, technology, and nature, thereby creating a new perspective by which viewers can appreciate artistic beasts.
「藝想獸譜─故宮x新竹241新媒體藝術展」將首度展演故宮的「數位獸譜」,不但以新媒體藝術翻轉院藏書畫中的動物,本次更首度邀請新竹市立動物園的動物成員,一同打造古今x虛實的數位獸園。
This exhibition, Bestiarum Vocabulum: NPM x Hsinchu 241 New Media Art Exhibition, marks the debut of the “Digital Bestiary” created by the National Palace Museum, which employs new media art to provide a fresh perspective on the animals depicted in the painted scrolls of the Museum collections. In addition, this exhibition has also invited the Hsinchu Zoo for a first-time collaboration on a digital zoo that combines ancient, modern, real, and imaginary elements.
本展將透過「按圖索獸」、「藝獸誕生」、「藝想生態」三大主軸,探索故宮的動物圖像從古代的卷軸冊頁轉譯至當代的投影布幕,從畫筆變換至新媒體所累積的形態萬千,如何與當代視角連結,成為藝想天開的「獸譜」。「按圖索獸」以〈坤輿全圖〉為揭幕,一窺清宮對歐洲自然史和動物史知識的傳播與演繹,展出「南懷仁的坤輿世界」擴增實境,以17世紀時代視角的「異獸」,開啟本展序幕;該區特別以新竹市立動物園中的「現代動物」與院藏動物圖像中的「歷史動物」展開創意互動對照。
Through three primary themes, “Finding Beasts with the Aid of Drawings,” “The Birth of Artistic Beasts,” and “Ecosystems of Artistic Imagination,” this exhibition explores the process of how animal drawings on ancient painted scrolls and albums are transferred to modern screens, and how new media can replace paintbrushes to generate myriad creative effects that integrate with modern perspectives to produce a bestiary of phenomenal artistic imagination. “Finding Beasts with the Aid of Drawings” opens with the Kunyu Quantu (Great Universal Map), offering a glimpse of how knowledge of European natural history and zoological history spread in the Qing Court and how this information was interpreted. The augmented reality work, The Universal World of Ferdinand Verbiest, is displayed here, and presents the 17th century view of rare beasts as an opening prelude to this exhibition. This section also includes a collaboration with the Hsinchu Zoo to provide a creative interactive comparison of modern animals in the Zoo with the historical animals depicted in works from the Museum collections.
工作人員名單
國立故宮博物院 National Palace Museum
發行人 Issuer 院長 Director/吳密察Wu, Mi-Cha
專案指導Advisor
副院長 Deputy Director/余佩瑾 Yu, Pei-Chin
副院長 Deputy Director/黃永泰 Huang, Yung-Tai
策展團隊 Curatorial team
教育展資處 Department of Education, Exhibition and Information Services
處長 Chief Curator/ 徐孝德 Hsu, Hisao-Te
副處長 Deputy Chief Curator/ 謝俊科 Hsieh, Chun-Ko
科長 Section Chief/ 吳紹群 Wu, Shao-Chun
策展人Curator/賴志婷Lai, Chih-Ting
網站事務 Website Administrator/黃瀞萩、黃郁涵、陳曜瑋Huang Ching-Chiu, Huang Yu-Han
設計與施作 Design & Construction
西米創意設計有限公司Cmie Design
鳴謝 Acknowledgements
新竹市政府 Hsinchu City Government
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